Eoin started following the work of Steve Orman, Canterbury Christ Church University, English & Language Studies.
Eoin started following the work of Claire Bryony Williams, The University of Sheffield, School of English Literature, Language and Linguistics.
Eoin started following the work of Rebecca Roberts, Teesside University, History.
Primary
Primary
view all (16)
- Early Modern England
- Early Modern Political Thought
- Early Modern Publics and Counterpublics
- Early Modern print culture
- Intellectual History of the Renaissance
- Lesser-known Authors
- Privacy
- Public Sphere
- Publicness of Public Space
- Reformation History
- Renaissance Drama; Shakespeare
- Renaissance Literature (Renaissance Studies)
- Renaissance Studies
- Renaissance drama
- Shakespeare
- Theatre History
Talks
'"Things private are best known through privacy": Theatre History and the History of Privacy'
| Where: | Westin Copley Place, Boston, Massachusetts, 40th Shakespeare Association of America Conference, Seminar: 'Literature and History/Literature as History, lead by David Scott Kastan and Keith Wrightson |
| Dates: | 5th April 2012 - 7th April 2012 |
| When: | 5th April 2012, 1pm - 3am |
'Privacy, Secrecy, and Power in Middleton and Shakespeare'
| Where: | Lancaster University, 5th Biennial British Shakespeare Association Conference |
| Dates: | 24th February 2012 - 26th February 2012 |
| When: | 26th February 2012, 2pm - 3pm |
'Drama in Dark Corners: Renaissance Commercial Theatre and the Politics of Privacy'
| Where: | University of Birmingham Shakespeare Institute, Research Seminar |
| When: | 19th October 2011, 10am - 11am |
'Drama in Dark Corners: Disguised Duke Plays and the Politics of Privacy'
| Where: | University of Sheffield, 'Public and Private Spaces in the Early Modern World' |
| Dates: | 9th September 2011 |
| When: | 9th September 2011 |
'"Any common playhouse": The Origins of the "Private" Theatres'
| Where: | University of Birmingham Shakespeare Institute, The British Graduate Shakespeare Conference (Britgrad) |
| Dates: | 26th May 2011 - 28th May 2011 |
| When: | 27th May 2011 |
'When is a “Private” Theatre not a “Private” Theatre? Indoor Commercial Plays and Title-Page Attributions.'
| Where: | Hyatt Regency Hotel, Bellevue, Washington, The 39th Shakespeare Association of America, Seminar: 'Lacunae in Theater History' lead by Leslie Thomson |
| Dates: | 7th April 2011 - 9th April 2011 |
| When: | 7th April 2011, 3pm - 5pm |
'"Priuate, or open Audience": A New Perspective on "Public" and "Private" Theatres'
| Where: | Edificio de Humanidades of the Universidad Nacional de Educación a Distancia (UNED, Madrid), SEDERI XXII |
| Dates: | 23rd March 2011 - 25th March 2011 |
| When: | 24th March 2011, 12pm - 2pm |
Won SEDERI award for 'Best Postgraduate Paper', 25 March 2011
'From Private House to Printing House: Title Pages and the Division of the Theatres'
| Where: | University of Birmingham Shakespeare Institute, Research Seminar |
| When: | 26th January 2011, 10am - 11pm |
'"A newe understanding of private"': The Semantics of Privacy in Reformation England'
| Where: | University of St Andrews, Reformation Colloquium |
| Dates: | 7th September 2010 - 9th September 2010 |
| When: | 7th September 2010, 2pm - 3pm |
'"Their private amours": Privacy and Public Men in Early Elizabethan Drama'
| Where: | University of Birmingham Shakespeare Institute, The British Graduate Shakespeare Conference (Britgrad) |
| Dates: | 17th June 2010 - 19th June 2010 |
| When: | 18th June 2010, 4pm - 5pm |